Unity Products:Amplify Shader Editor/Manual

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1. Open AmplifyshaderEditor###.unitypackage

2. After Unity loads it will display the “Importing package” window, select All and click Import

3. Amplify Shader Editor should now be installed in your Unity project and it should have the following directory structure:


The Editor


Open the Amplify Shader Editor canvas, dock it, use it in a separate window, or even another monitor. The editor opens automatically when you double-click an ASE material or shader.


ASE shaders can be created directly in the Project tab or via the Menu under Assets > Create > Shader > Amplify Surface Shader.


1. Double-click an ASE shader to open it in the ASE canvas. Alternatively, you can open the shader directly in its inspector tab by clicking on the Open in Shader Editor button.

2. Name your shader directly in the Node Properties tab, you can add your own category by using a forward slash (/) separator. Keep in mind that shader file names are unique and have to be set manually in the Project Explorer tab. You can use different names for the file and actual shader.

3. This area shows the current shader, clicking it will locate and select the shader in the Project Explorer tab. Notice the green outline, it’s a visual aid that lets you know that only the shader is currently open.


1. Double-click a material that uses an ASE shader to open both the shader and the material in the ASE canvas. Alternatively, you can open it directly in the material inspector tab by clicking on the Open in Shader Editor button.

2. By opening the material, both the active shader and material are shown in the lower canvas area. As with the shader, clicking on it will locate and select the material in the Project Explorer tab. Notice the blue outline, it’s a visual aid that lets your know that both the shader and material are currently open.

Canvas UI Interaction


1. Node properties can be adjusted in the left tab. Select a node, or the Output Node, to reveal its parameters. Some values can be adjusted directly in the actual node. Output Node properties are always shown on this tab if no node or multiple nodes are selected. The Output Node Properties tab can be minimized by clicking the minus button in the upper right corner of the tab.

2. Minimalist Save/Update/Clear/Edit buttons. Gray when unavailable or disabled, green when up-to-date, yellow when outdated.

Button 1: Manual shader update (Save and Update)
Button 2: Toggle LIVE shader update (Save and Update Automatically)
Button 3: Remove disconnected nodes
Button 4: Open shader in Text Editor

3. Shader category and name. 4. Canvas view adjustment.

Button 1: Select and focus on the Output Node
Button 2: Focus on selected nodes, will focus on the entire node collection if nothing is selected. Automatic zoom is also done by double clicking the button or double pressing the ‘F’ key

5. The Node Palette tab is a searchable node list where you can select and drag out nodes directly onto the canvas area. The Node Palette tab can be minimized by clicking the minus button in the upper left corner of the tab.

6. Right-click anywhere on the canvas to bring up the a simpler searchable node list, click on the node name to create it.

7. Hold a shortcut key and click anywhere on the canvas to create a new node. Shortcut keys are shown inside [ ] placed in front of their respective node names on the Palette Tab. For example: Key ‘1’ for a Float and Key ‘5’ for a Color node.


Data flows from left to right – Input Port > Processed Data > Output Port. Only nodes directly or indirectly connected to a Output Node are analyzed and used to generate the final shader instructions. If a node contains unconnected Input Ports, ASE will use internal data during the processing phase. Internal data values can be edited via the Node Property tab.


Nodes Nodes can be selected by either left mouse clicking on them or left mouse drag a box selection over them. Nodes can be appended or removed from a selection by holding the ‘Shift’ key and clicking on it. Press ‘CTRL/CMD+A’ to select everything. Deselect everything by left mouse clicking over an empty space on the node canvas. Move selected nodes by holding your left mouse button over them and dragging.

Wires Delete a wire by holding the ‘Alt’ key and clicking on a node port or drag a connection to an empty canvas space and left click. Wires connected to selected nodes are highlighted to denote data flow, from the leftmost node to the rightmost node.

Connections Create connection by left clicking and dragging a wire either from an output port into an input or from an empty input port to an output port. Left mouse holding on a already connected input port removes wire ending from it and locks it to the mouse cursor so you can drag it to another port. Drag a wire onto an empty canvas space and the context menu automatically appears and if a node type is selected a connection is made with the first valid port.

Ports Output ports can be connected to multiple input ports but input ports accept a single input. Wires automatically snap to ports near the mouse cursor. For easier use, the active port area is quite forgiving, you can even drop your wires directly onto the port name.

View Right mouse or middle mouse button drag to pan the view. The canvas will scroll automatically when box selecting or moving selected nodes away from the visible workspace area. You can Zoom In/Out via the mouse scroll wheel. The amount of zoom out is dynamically determined from the nodes positioning on the canvas.

Tabs Both the Node Properties and Node Palette windows are automatically minimized when reducing the ASE window width below a value of 750px. You can always maximize them by clicking the rectangular button.

Material and Shader Mode

Warning – The Custom Light Model input port of the Output Node is currently disabled but it will be available on a future update.


You can work with ASE in one of two modes, shader or material, depending if you load the shader file from a shader or a material asset. The canvas border serves as a visual indicator of the active mode, a green outline is shown for the shader mode and a blue outline for the material mode.


Values set in a shader are commonly referred to as Default Values. Any changes made to the Default Values of any given shader will automatically affect all materials using it. When simultaneously editing a material and shader, pay close attention to which values are being altered.


Unlike the Default Values in a shader, material values can be unique. material values are only shown when working in the material mode ( with both material and shader opened ). Only nodes which represent variables ( Color, Float, Int, Vector, Matrix ) have a Parameter Type dropdown and can be set to Property. Default values are always copied to material values when selecting Property or Uniform parameter type. Each material can be adjusted in order to create an unlimited number of variations, while still using the same shader. You can think of your materials as instances of your shader, each instance is unique but created using the same set of Default Values.


You can Copy and Paste property values between materials using the same ASE shader. The Open in Shader Editor button provides a quick way to open both the material and shader used in the Amplify Shader Editor.


Shaders can also be opened directly via their inspector tab by clicking on the Open in Shader Editor button. Alternatively, click on Open in Text Editor to open it in your current code editor.


Colored Line Mode


Press [ W ] to toggle it.

Node Previews


Press [ P ] to toggle node previews

Multi-line Mode


Press [ CTRL + W ] to activate the multi-line mode.

Full Shortcut List


  • [C]: Create Commentary
  • [F]: Focus On Selection
  • [Space]: Open Node Palette
  • [W]: Toggle Debug Mode
  • [P]: Global Preview
  • [Delete]: Delete selected nodes
  • [Backspace]: Delete selected nodes


  • [Alpha5]: Color
  • [Alpha0]: Int
  • [Alpha1]: Float
  • [Alpha2]: Vector2
  • [Alpha3]: Vector3
  • [Alpha4]: Vector4
  • [L]: Lerp
  • [N]: Normalize
  • [O]: One Minus
  • [E]: Power
  • [A]: Add
  • [D]: Divide
  • [M]: Multiply
  • [S]: Subtract
  • [R]: World Reflection
  • [T]: Texture Sample
  • [U]: Texture Coordinates

Output Node

Portions of this section have been acquired directly from the Unity Shader Reference documentation.

Learn more: Unity Shader Reference


Main Properties

  • Shader Type: This area displays the current shader type used.
  • Shader Name: Editable text box, defines the name and path of the shader. Use a forward slash "/" to define its category and name; e.g. UserSamples/EnvironmentGradient. Note that the name displayed in this box is not the same as the filename, they have to be set individually.
  • Light Model: Defines how the surfaces reflects light, commonly referred to as the type of shader used. ASE currently provides Standard(Metallic), Standard Specular, Lambert, Blinn Phong.
  • Shader Model: When writing either Surface Shaders or regular Shader Programs, the HLSL source can be compiled into different “shader models”. Higher shader compilation targets allow using more modern GPU functionality, but might make the shader not work on older GPUs or platforms.
  • Precision: Defines the precision of internal calculations, using lower types offers an added performance boost in exchange for some accuracy; set to Float by default.
  • Cull Mode: Front - Cull front-facing geometry, Back - Cull back-facing geometry, Off - Disables culling (double-side material); set to Back by default.
  • Render Path: Allows you to define which mode (Forward/Deferred) is supported by the shaders; set to All by default.
  • Cast Shadows: Defines if objects using the shader cast shadows.
  • Receive Shadows: Defines if objects using the shader receive shadows; this includes self-shadowing(only with forward rendering).
  • Queue Index: Render queue offset value, accepts positive(later) and negative(sooner) integers.
  • Custom Editor: Custom inspectors allow you to customize the ASE Material Inspector.

Blend Mode

  • Blend Mode: The selected mode automatically adjust the available parameters; Opaque, Masked, Transparent, Alpha Premultiplied or Custom.
  • Render Type: RenderType tag categorizes shaders into several predefined groups; opaque shader, or an alpha-tested shader etc. Available tags: Opaque, Transparent, Transparent Cutout, Background, Overlay, Tree Opaque, Tree Transparent Cutout, Tree Billboard, Grass and Grass Billboard.
  • Render Queue: Geometry render queue optimizes the drawing order of the objects for best performance. All other render queues sort objects by distance, starting rendering from the furthest ones and ending with the closest ones. Available options: Background, Geometry, Alpha Test, Transparent and Overlay.
  • Mask Clip Value: Default value to be compared with opacity alpha. 0 fully opaque, 1 fully masked; set to 0 by default. Commonly used in Transparent Cutout materials.
  • Blend RGB and Blend Alpha: When graphics are rendered, after all Shaders have executed and all Textures have been applied, the pixels are written to the screen. How they are combined with what is already there is controlled by the Blend command. ASE currently provides a Custom, Alpha Blend, Premultiplied, Additive, Soft Additive, Multiplicative and a 2x Multiplicative mode.
    • Blend Factors (SrcFactor & DstFactor): All following properties are valid for both SrcFactor & DstFactor in the Blend command. Source refers to the calculated color, Destination is the color already on the screen. The blend factors are ignored if BlendOp is using logical operations.
      • One The value of one - use this to let either the source or the destination color come through fully.
      • Zero: The value zero - use this to remove either the source or the destination values.
      • SrcColor: The value of this stage is multiplied by the source color value.
      • SrcAlpha: The value of this stage is multiplied by the source alpha value.
      • DstColor: The value of this stage is multiplied by frame buffer source color value.
      • DstAlpha: The value of this stage is multiplied by frame buffer source alpha value.
      • OneMinusSrcColor: The value of this stage is multiplied by (1 - source color).
      • OneMinusSrcAlpha: The value of this stage is multiplied by (1 - source alpha).
      • OneMinusDstColor: The value of this stage is multiplied by (1 - destination color).
      • OneMinusDstAlpha: The value of this stage is multiplied by (1 - destination alpha).
    • Blend Op RGB & Blend Op Alpha: Add, Sub, Rev Sub, Min and Max
  • Color Mask: Sets color channel writing mask, turning them all OFF makes it invisible.

Stencil Buffer

The stencil buffer can be used as a general purpose per pixel mask for saving or discarding pixels. It's usually an 8 bit integer per pixel. The value can be written to, increment or decremented. Subsequent draw calls can test against the value, to decide if a pixel should be discarded before running the pixel shader.

  • Reference: The value to be compared against (if Comp is anything else than always) and/or the value to be written to the buffer (if either Pass, Fail or ZFail is set to replace). 0–255 integer.
  • Read Mask: An 8 bit mask as an 0–255 integer, used when comparing the reference value with the contents of the buffer (referenceValue & readMask) comparisonFunction (stencilBufferValue & readMask). Default: 255.
  • Write Mask: An 8 bit mask as an 0–255 integer, used when writing to the buffer. Default: 255.
  • Comparison: The function used to compare the reference value to the current contents of the buffer. Default: always.
  • Pass: What to do with the contents of the buffer if the stencil test (and the depth test) passes. Default: keep.
  • Fail: What to do with the contents of the buffer if the stencil test fails. Default: keep.
  • ZFail: What to do with the contents of the buffer if the stencil test passes, but the depth test fails. Default: keep.


  • Phong: Modifies the positions of the subdivided faces so that the resulting surface follows the mesh normals a bit; set to OFF by Default.
    • Strength: Effect strength 0-1.
  • Type: Defines the technique used; Distance Based, Fixed, Edge Length and Edge Length Cull.
  • Tess: Tessellation factor; 1-32.
  • Min: Minimum Tessellation distance.
  • Max: Maximum Tessellation distance.


  • ZWrite Mode: Controls whether pixels from this object are written to the depth buffer (default is On). If you’re drawng solid objects, leave this on. If you’re drawing semitransparent effects, switch to ZWrite Off. For more details read below.
  • ZTest Mode: How should depth testing be performed. Default is LEqual (draw objects in from or at the distance as existing objects; hide objects behind them). ASE provides ZTest Less, Greater, LEqual, GEqual, Equal, NotEqual and Always.
  • Offset: Allows you specify a depth offset with two parameters. factor and units. Factor scales the maximum Z slope, with respect to X or Y of the polygon, and units scale the minimum resolvable depth buffer value. This allows you to force one polygon to be drawn on top of another although they are actually in the same position. For example Offset 0, –1 pulls the polygon closer to the camera ignoring the polygon’s slope, whereas Offset –1, –1 will pull the polygon even closer when looking at a grazing angle.
    • Factor: Scales the maximum Z slope, with respect to X or Y of the polygon.
    • Units: Units scale the minimum resolvable depth buffer value.

Rendering Platforms

Defines which platforms are supported; set to All by default.


Available Properties

Variables set to Property will be listed in this section, you tweak their position by dragging them.


The Translucency input provides a fast method of representing light scattering. It's not the most realistic method available but it's a flexible and fast-performing approximation. In our example (AmplifyShaderEditor\Examples\Official\Translucency) we use a simple red tinted Depth Texture to represent the skin subsurface scatter effect but you don't necessarily need to use the same setup, you could very well plug a full RGB texture to the Translucency Input in order to get some color variation or stylized results.


The Material Properties below are automatically added to your shader when you plug your values into the Translucency Input Port.

  • Strength: Translucency effect strength, you can think of it as a multiplier slider.
  • Normal Distortion: Defines the amount of normal distortion on the translucency effect.
  • Scattering Falloff: Scattering falloff amount for the translucency effect.
  • Direct: Direct light influence on the translucency effect.
  • Ambient: GI/ambient light influence on the translucency effect.
  • Shadow: Self-shadowing influence on the translucency effect, reduces the translucency effect in shadowed areas.

Your First shader


1. Open the Editor, create a new material and a new shader in the Project Explorer tab. In the newly created material, select your new shader and click on the Open in Shader Editor button to open both the shader and material.


2. As an example, select the Output Node and change its Light Model to specular.


3. Right click on the canvas to open the searchable node list and type “Lerp”. Click on Lerp and connect the node Output Port to the Albedo Input Port.


4. Hold the 5 shortcut key and click on the canvas to create a new Color node. Alternatively, you can use the searchable list used early or drag and drop the node from the Node Palette on the right side; Constants > Color [ 5 ].


5. Select the new Color node and hit ‘CTRL/CMD+D’ to duplicate it. Connect both nodes to the Lerp Input Ports. Set the first node to gray and the second one to a more lively color.


6. Create a Float node by dragging and dropping it from the Node Palette, connect it to the Alpha port of the Lerp node. In the node properties of the newly created float, set its Minimum value to 0 and Maximum to 1. Notice that the Float can now be controlled by a Slider. Don’t forget to set its Parameter Type to Property, this way you will be able to change it directly in the material. You can also name the node and change its position in the material inspector by adjusting the Index value. As an example, lets name it Color Mix.


7. Create a new Float and connect it to the Smoothness Input Port of the Output Node, set its Minimum value to 0 and Maximum to 1 as you did before. Set its type to Property and name it Smoothness Value. Create another Float and connect it to the Specular Input Port, set its Minimum value to 0 and Maximum to 1. Set its Type to Property and name it Specular Value.


8. To conclude, Drag and Drop a Normal Map texture from your Project Explorer directly into the canvas. As an example, we used a Brushed Metal texture. Connect it to the Normal Input Port of the Output Node and you are done. You have just built your first shader, don’t forget to save your work regularly by clicking the Update button located in the upper left corner. Alternatively, you could edit the shader with the LIVE mode enabled, any change are immediately saved and updated. Depending on the complexity of the shader, the LIVE mode may take a second or so to update. Contrary to Default shader values, any changes made to a material property are immediately visible.